Skip to content
Clear Reels Studio

Soft Cell's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell with Marc Almond at Leeds in 1977

The talented musician, one half of the innovative 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair scored a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He later formed the innovative techno group The Grid, who achieved chart success with their 1994 single the hit Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on October 22, only a short time after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that show, Ball performed in a mobility chair, as he had for the last two years, following a spate of ill-health.

"I ended up injure myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my back and cracked about five ribs and broke my wrist."

After contracting a lung infection and developing blood poisoning, he was placed in an induced coma and remained in the hospital for seven months.

However, he had been in "a great place mentally" during the summer, as he worked on a new album with Almond, titled Danceteria, which is set for publication in the coming year.

"He was concentrated and very pleased with the new album that we literally finished only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the fact that he listened to the finished record and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Many thanks Dave for being an immense aspect of my existence and for the music you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "endless laughter" and "steadfast support".

"Forming a duo with someone is different from being in a group, the bond is very tight," he added.
"That's how it was with us. We experienced so many remarkable, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Formative Years

Brought into the world into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He was raised in the seaside town with adoptive parents Donald and Brenda Ball, who changed his first name from Paul to his adopted name, together with his sibling his sister, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both learning art. Fuelled by a mutual passion of Northern Soul, they formed Soft Cell the same year, and quickly produced an EP.

Creative Collaboration

The pair were an unusual combination: Ball was the quiet musician, hunched over his keyboard, while Almond was a charismatic showman, all glitter and makeup; but they achieved a rare musical alchemy.

Ball had cultivated a interest with electronic instruments after watching Kraftwerk appear on a television program a popular series, and started to combine moody electronic sounds to the catchy tunes Almond was composing.

Tainted Love became the United Kingdom's second biggest-selling song of the early 80s, selling millions of copies globally. Alongside successful tracks by other artists, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 80s.

The track was also included on their full-length debut, their initial LP, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the separate release, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were developing new material right up until Ball's passing

Career Highlights

Fame had its upsides. "I loved being able to afford my first home, having money and exploring, which makes me sound like a Miss World," Ball not long ago told with a publication.

But it also caused problems. "Sudden riches meant we could afford newfound drugs to alleviate the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

Amidst the hedonistic lifestyle, the duo were also growing distant, but they succeeded to produce a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out one more LP, 1984's This Last Night In Sodom, before ending the group to focus on individual endeavors.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined dance music with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

After another hiatus, they reappeared in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the O2 Arena on September 30, that year.

Yet, they remained active, creating their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball recently described the duo's upcoming release as a tribute to the NYC nightlife they visited while making their first two albums.

He added that his time in hospital had shaped the group's music.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he explained to a publication.
"Our latest tracks are a electronic representation of the sounds in my head from that time.
"Simultaneously, it's about the experiences me and Marc got up to in the 1980s."

The last versions were finished only days before Ball died. It is due for launch in the spring of 2026.

WW
The writer

Wendy Webb

Elara is a creative director with over a decade of experience in film production and digital storytelling.

Clear Reels Studio

Type to search articles.